plushestrumpest:

vivvav:

kokorooji:

eren-jaegars-butt:

petrichoriousparalian:

I don’t want it; I don’t need it.

this scene is even more creepy when you realize Spirited Away was a metaphor for the sex industry in Japan

oh

oh

OH FOR FUCK’S SAKE!

NO IT WASN’T, YOU JACKASSES!

"Totoro’s about dead girls!"

"Spirited Away is about sex!"

You know what I hear?

"Maybe if I make up something that sounds smart, people will think I’m smart, even if it’s a complete fucking lie!

Hayao Miyazaki is a man of values. He’s a man who believes in the innocence of childhood and has a wonderful imagination. He believes in simplicity, kindness, the beauty of nature, and the old ways. He draws on these beliefs and his personal experiences when he makes movies.

Spirited Away was made for some friends of Miyazaki’s. Specifically, the ten-year-old daughters of some friends he invited to stay at his vacation home. It’s fairly common for Miyazaki to decide that he’s going to make movies targeted at a specific age group. Ponyo is for five-year-olds. Spirited Away is meant for ten-year-old girls, but enjoyed by a much wider audience.

I repeat, SPIRITED AWAY WAS MADE FOR TEN-YEAR-OLD GIRLS.

The bathhouse? Not a brothel. Based on a bathhouse in his home town, which he thought was a place of mystery and wonder when he was a kid. That scene where the bathhouse staff has to clean the polluted river spirit? Based on Miyazaki’s own experiences of a town coming together to clean up a river. This scene? It’s about Chihiro not being greedy, because Chihiro is a positive role-model for ten-year-old girls.

The themes of Spirited Away are courage, strength of character, and individuality. ESPECIALLY individuality. That thing where Yubaba takes away peoples’ names and changes their species? That’s her taking away their individuality. Chihiro’s parents are now pigs, not people. Haku’s name has been shortened so he forgets who he is. When Yubaba changes Chihiro’s name, the only Kanji she leaves spell out “Sen”, the Japanese word for “one thousand”, meaning Chihiro is just another pawn of Yubaba’s, not her own person.

You want to seem cool and intelligent? Talk about the movie’s actual themes. Don’t make up this shock-value bullshit for attention.

You stupid motherfuckers.

THANK YOU. Hayao Miyazaki is a million times better and above making movies about the sex industry and dead girls. How dare anyone say something so slanderous. I hope they’re embarrassed and ashamed of themselves.

nedahoyin:

processedlives:

"As a writer of science fiction I was free to imagine new ways of thinking about people and power, free to maneuver my characters into situations that don’t exist…I’ve been told again and again that my characters aren’t "nice." I don’t doubt it. People who must violate their long-held beliefs are rarely pleasant. I don’t write about heroes; I write about people who survive and sometimes prevail."- Octavia Butler quoted in Mixon, “Futurist Woman”


That’s why I love you bby..

nedahoyin:

processedlives:

"As a writer of science fiction I was free to imagine new ways of thinking about people and power, free to maneuver my characters into situations that don’t exist…I’ve been told again and again that my characters aren’t "nice." I don’t doubt it. People who must violate their long-held beliefs are rarely pleasant. I don’t write about heroes; I write about people who survive and sometimes prevail."
- Octavia Butler quoted in Mixon, “Futurist Woman”

That’s why I love you bby..


"Blow it up."

"Blow it up."

krisarchasm:

mistressofpie:

A super girly and peppy blonde girl who wears bright pink dresses and skirts everyday is best friends with a quiet goth girl who of course sports all black clothing and big lace up boots. Someone jokes and yells to them “Hey look, a fairy and a vampire!” The blonde turns around and flashes a fanged grin and says “She’s human actually.”

image

image

image

This has been done before, I’m sure.

gentlederek:

guess what i’m super excited for (/∇\*)。o○♡

gentlederek:

guess what i’m super excited for (/∇\*)。o○♡

zipitclark:

swampbara:

nsfw = nice stuff for werewolves

image

Actual puppy Scott McCall falling even more in love with his superhero kitsune girlfriend (ノ◕ヮ◕)ノ*:・゚✧ 

llassah asked:
Derek Hale has a calming effect on babies, and can stop them crying just by looking at them. Babies always stare at him wherever he goes. Sometimes he goes into coffee shops because he kind of likes the wave of silent fascinated babies that follow him as he orders his guilty pleasure coffee with four different syrups in it. If a baby gets near enough, they basically want to be as close to him as possible. He has no idea why.

llassah:

llassah:

llassah:

drunktuesdaze:

Did you see that video of that baby who stopped crying whenever her parents played Beyonce?  I’m pmuch falling into spasms of lols picturing this being the case except Derek is every baby’s Beyonce.

Like, please imagine a situation where Scott’s baby is crying, like NORMAL CRYING, not that anything’s wrong, but it’s just kind of harder to deal with than Scott thought because of enhanced hearing.  He can’t really tune her out because hello, goes against every instinct, but also she’s not crying because anything’s wrong.  She’s just disgruntled about everything, but especially being put down.

Except Derek walks into a room, and her eyes snap to him and immediately calms down.  She super doesn’t care about being put down in her little chair as long as she’s facing Derek, and she just quietly stares at him.

CAN YOU EVEN IMAGINE THIS.  STILL LAUGHING.  STILES RECORDS DEREK ONE AFTERNOON FOR LIKE THREE HOURS.  DEREK ISN’T EVEN DOING ANYTHING, IS JUST COOKING AND WASHING DISHES AND SHIT BUT ALL SCOTT HAS TO DO IS PUT IT ON TV AND THE KID STOPS FUSSING AND STARES INTENTLY.

DEREK HALE INADVERTENTLY RUNNING AN INFANT DAYCARE DESPITE HAVING NO QUALIFICATIONS WHATSOEVER JUST CAUSE BABIES LIKE HIM.   DEREK GETTING A JOB IN THE NICU BECAUSE EVEN THOUGH THOSE BABIES ARE TOO LITTLE AND SICK TO FOCUS ON HIM, THEY’RE QUIETER AND SEEM TO THRIVE JUST A LITTLE BETTER WHEN HE’S IN THE ROOM.  HE JUST BRINGS A BOOK AND SITS IN THE ROCKING CHAIR. EVERY SO OFTEN HE GETS UP AND MAKES ROUNDS, SAYING A GRUFF HELLO TO EACH BABY.

DEREK HALE: EXACTLY HOW HE IS IN CANON EXCEPT SOMEHOW SENDING OUT POSITIVE VIBES TO ALL BABIES.

BUT WE DON’T KNOW THAT HE ISN’T LIKE A BABY MESMERIZER. WE JUST DON’T KNOW. UNTIL I AM SHOWN A BABY THAT STILL CRIES WHEN IT SEES DEREK THIS IS CANON. JUST LIKE THE SHERIFF’S FIRST NAME IS SHERIFF, SCOTT’S DAD’S FIRST NAME IS AGENT AND IT’S ALL A GIANT BAG OF NOMINATIVE DETERMINISM.

"HELLO BABY," DEREK SAYS QUIETLY AS STILES BOGGLES. THE BABY JUST STARES UP AT HIM, EVEN THOUGH DEREK HAS, LIKE, NO BABY TALK AT ALL. STILES CAME IN TO DEREK DESCRIBING THE FUCKING WEATHER TO ONE OF THE KIDS, AND YET THEY STILL COO, AND STARE, AND FIND HIS PRESENCE BIZARRELY COMFORTING. DEREK HALE KNOWS NOTHING ABOUT BABIES. STILES HAS TURNED INTO HIS FREAKING PA OR SOMETHING, BECAUSE HE’S THE ONE GOOGLING WHETHER IT’S OKAY TO FEED THEM STEAK, AND HOW TO PREVENT DIAPER RASH WHILE DEREK JUST EXISTS AROUND THEM AND OCCASIONALLY TELLS THEM INCREDIBLY OBVIOUS THINGS. “HELLO, YOU’RE SMALL,” DEREK SAYS SOLEMNLY TO ONE BABY, BENDING DOWN TO RUN A FINGER ALONG THE ARCH OF HIS FOOT. THE BABY LOOKS AT HIM LIKE HE’S JUST EXPLAINED STRING THEORY USING BELL PEPPERS.

"YOU’D BE NOTHING WITHOUT ME," STILES HISSES. "AND YEAH, THAT SOFT SPOT ON THEIR HEADS IS MEANT TO BE THERE."

DEREK SITS BACK DOWN AND STARTS WHITTLING AGAIN. THE BABIES LIE IN A CIRCLE SO THEY CAN ALL SEE HIM, AND STARE, TRANSFIXED.

omega werewolf babies.

Derek gets a reputation eventually. He has a youtube channel which is him reading instruction manuals out loud, sat in a rocking chair in front of a fire, which has had over a million hits. He’s pretty bemused by the whole thing. Then the Werewolf social services call him, and he’s a little twitchy at first because he thinks he got Scott to cosign Isaac’s college applications but he’s not completely sure, but it turns out it’s not because he’s gotten tangled up in werewolf bureaucracy again. It’s because there’s a baby born wolf who’s lost its pack, and they don’t know what to do. They’ve tried everything, and they’ve got five of their best case workers on it, but the cub won’t stop crying, and it’s getting closer to the full moon and it’s getting literally painful to be in hearing range of it.

Derek’s saying yes before he’s really thought about it, then sits down and stares at the table for a few minutes. The first few months after the fire, he and Laura were shunned by other werewolves. Their grief, the taboo of being born wolves without a family, Derek’s guilt and confusion— it was something that carried a scent and sound that made everybody edgy. For a cub to be going through that loss without an anchor is unthinkable. He’s still sitting there when Scott and Stiles come in, still having their eternal fire hydrant on ice skates debate (Stiles is for, Scott against). They’re at his side immediately, their hands on each of his shoulders.

"There’s— there’s a cub. In Oregon," he says, and they both immediately go into planning mode, and before he knows it they’re bundled into Stiles’s jeep, Stiles is trying to persuade Scott that the whole of Tusk is good road trip music and he’s not sure how he thought he was going to get to the cub but this is a better way.

They get there crumpled and tired, smelling of Stiles’s jeep and motel beds. Scott’s on edge as soon as they get in hearing range. Stiles picks up on their uneasiness, does all the talking as they get closer and closer to the desolate, exhausted sounding cries. Scott and Stiles wait in the corridor as the caseworker opens the door, shows him in, her eyes glowing yellow in her distress , nails making gouges in the doorframe.

He nods to her, closes the door behind him and looks at the cub. Her name’s Emma, and she doesn’t have a pack any more. She smells like grief and everything that’s wrong with the world, and he tastes ash at the back of his throat. She hasn’t seen him yet, changing forms as she thrashes on the mattress, leaving tears in the fabric, clouds of stuffing and feathers around her. “I, uh, I like your dress,” he says quietly. It used to have sunflowers on it, he thinks. He can see patches of bright, bright yellow. He comes to the edge of the mattress, sits down, taking deep breaths to keep himself under control. It’s unbearable. “I like yellow. It’s a good color. People— happy people wear it.”

She stills a little, the spaces between her form changes getting longer. “And your eyes go yellow too, when you get your little fangs and your claws. Maybe your mom wanted to match your dress to your eyes, huh?” It gets a little easier to breathe as the pitch of her cries becomes less urgent. He keeps talking to her, stretches his legs out on the mattress, his back to the wall. He doesn’t touch her yet, though, just lets her get used to his scent, the sounds he makes. When she’s quietened down to making hiccoughing sounds, eyes flashing as her body spasms, he puts his hand out and puts it on her foot.

"Hey you," he says, and can’t help smiling when she goes limp and stares at him with rapt, trusting eyes. It feels a little like he’s come through a storm. He can breathe again, without the crushing bands around his chest, his head. He brushes her hair back from her sweaty forehead, tickles her gums where her fangs drop, like his mom used to. "Stiles, Scott. She needs feeding and bathing, new clothes. Come in when you have them, but come in quietly, you hear?"

"Sure thing, buddy," Scott says, starts charming the caseworkers. He doesn’t want too many strange people in here yet. He picks her up, supporting her head, rests her on his crooked-up thighs and just looks at her. She’s filthy, a little dehydrated, and has no control yet. He’s not sure what the werewolf family services will do with her. He smiles as she grabs a handful of his sweater in her hand, starts mouthing at the fabric.

"You’ll be okay. Good cub," and yes, his conversation could do with some work, but she’s a baby. All he needs to do, really, is be in the same room. He’s already trying to work out if being terrible at paperwork is going to count against him in the adoption process. He can always nominate Scott and Stiles as responsible co-parents. Or something.

Two days later, they’re in an office. Scott and Stiles are sitting either side of him, and he feels a little bit like he’s walked into a double act. Three out of the five caseworkers are actually pinching the bridges of their noses. The other two have audibly sighed three times. He’s enjoying it, in a horrified sort of way. “Mr Hale, while we understand that the…situation in Beacon Hills has stabilized now, there is the matter of your personal life. There has been a certain pattern in your choice of partner,” and the woman breaks off there, all delicate pauses and inferences. Stiles leans forwards, a shit-eating grin on his face.

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halaalpussy:

tonedbellyplease:

healthcorps:

Try these yoga poses to enhance your flexibility! 

miss this girl :(

How to get that arch in ya back for ya thotty pics

halaalpussy:

tonedbellyplease:

healthcorps:

Try these yoga poses to enhance your flexibility! 

miss this girl :(

How to get that arch in ya back for ya thotty pics

inkyopinions:

endless list of favorite characters → katniss everdeen, the hunger games

The bird, the pin, the song, the berries, the watch, the cracker, the dress that burst into flames. I am the mockingjay. The one that survived despite the Capitol’s plans. The symbol of the rebellion.

theafrocentrics:

Y’all will let a nigga into hip hop whose verse consisted of “the built in onesie with the socks in the motherfucker”.
That line alone should get him blacklisted from hip hop. Not to mention the other questionable stuff.

blacksupervillain:

ursulatheseabitchh:

mydollyaviana:

Anastasia Trivia:The musical number "Paris Holds the Key (To Your Heart)" includes cameos by various historical characters from the time including Maurice Chevalier, Sigmund Freud, Charles A. Lindbergh, Josephine Baker, Claude Monet, Isadora Duncan, Auguste Rodin, and Gertrude Stein.

ARE WE SURE GERTRUDE STEIN IN THE BOTTOM ONE 

BECAUSE i’M RELATIVELY SURE THAT’S A MAN AND ALSO JUST DOESN’T LOOK LIKE HER AT ALL????

it’s her

bisexualskies:

sacredsexualities:

[Image: Dr. Herukhuti in rainbow dashiki with the quote, “Dr. Herukhuti on Sexual Imperialism.”]

Dr. Herukhuti on Sexual Imperialism & Homonormativity:

"Sexual imperialism is manifested in a number of ways in the history of European colonialism. It has meant that non-European people have been the targets of European fantasy; projected desires; guilt and shame; and scientific surveillance and experimentation. People of European descent have placed our genitalia on display, experimented upon our bodies, created theories of sexuality based upon the perceived differences between us and them, etc.
In the contemporary moment, sexual imperialism also looks like the campaigns the U.S. religious right has fermented in Africa to encourage religious intolerance toward homosexuality. It also looks like what Professor Ibrahim Farajajé calls “rainbow flag imperialism” — a sexual imperialism in which LGBT people of European descent direct campaigns into Africa to encourage queer folks in Africa to adopt Western ways of being queer. This is how homonormativity is created, perpetuated, and maintained.
Both the U.S. religious right and the mainstream LGBT movement tend to ignore the indigenous forms of sexual and gender diversity that have existed in Africa for millennia.. The religious right’s efforts depend upon the colonial roots that Christian missionaries planted in Africa centuries earlier. The mainstream LGBT movement’s efforts depend upon the neoliberal capitalist roots planted by multinational corporations and NGO missionaries decades earlier.
So we now have zealot African Christian converts leading the intolerance and violence against other Africans, using the language of indigeneity and authenticity but based upon their indoctrination into Western forms of Christianity. And Africans in urban settings who may be invested in Westernization and looking for models of queerness outside of traditional forms because of the ways Western forms of queerness are promoted in Western-controlled popular media. In both cases, you have people of European descent telling African people what is and is not good for them.
One of the main conflicts between Western homosexuality and African cultural values is about procreation. African cultures value children for a number of reasons. And people have responsibilities to the community to produce children. Western homosexuality poses a threat to those responsibilities, particularly for people who do not have access to the wealth and privilege of Western technologies to produce children outside of reproductive sex. Bisexuality, the ability to be sexually open or engaged with people across a number of genders, does not pose those same challenges to the responsibilities that African people have. Historically, bisexuality has been practiced in Africa in a variety of forms. Because Western bisexuals and people of African descent in the West have been traditionally marginalized by mainstream gay activists, the bisexual aspects of African sexualities have either been mislabeled “gay” (i.e., bi-erasure) or have been ignored (i.e., bi-invisibility).”

Why bi-erasure is so entrenched and pervasive?

"I think bi-erasure is so entrenched and pervasive because of the strategy of mainstream Western gay movement activists. Their strategy was to promote a representation of queerness that was not queer in the ways queerness means “different” or “askew.”
Their strategy was an assimiliationist agenda. They chose to pursue an agenda to make heterosexuals believe that queer people were just like them. To do so, they had to make queer people appear just like heterosexuals but, too often, they were willing to settle for making all queer people appear to be just like gay, middle-class men of European descent.
This kind of work meant that mainstream Western gay movement activists had an ideological and strategic motivation to engage in bi-erasure, respectability politics, and whitewashing.
They continue to be informed by that motivation, which is why you see no mention of polyamorous relationships in mainstream marriage equality materials, bisexual people prominently positioned in HIV prevention policy decision-making, or bisexual or trans people in leadership positions at any national organization that is supposed to serve LGBT people — and definitely no bisexual or trans people of color in senior leadership/management positions.”

[Dr. Herukhuti for One+Love.]

bisexualskies:

sacredsexualities:

[Image: Dr. Herukhuti in rainbow dashiki with the quote, “Dr. Herukhuti on Sexual Imperialism.”]

Dr. Herukhuti on Sexual Imperialism & Homonormativity:

"Sexual imperialism is manifested in a number of ways in the history of European colonialism. It has meant that non-European people have been the targets of European fantasy; projected desires; guilt and shame; and scientific surveillance and experimentation. People of European descent have placed our genitalia on display, experimented upon our bodies, created theories of sexuality based upon the perceived differences between us and them, etc.

In the contemporary moment, sexual imperialism also looks like the campaigns the U.S. religious right has fermented in Africa to encourage religious intolerance toward homosexuality. It also looks like what Professor Ibrahim Farajajé calls “rainbow flag imperialism” — a sexual imperialism in which LGBT people of European descent direct campaigns into Africa to encourage queer folks in Africa to adopt Western ways of being queer. This is how homonormativity is created, perpetuated, and maintained.

Both the U.S. religious right and the mainstream LGBT movement tend to ignore the indigenous forms of sexual and gender diversity that have existed in Africa for millennia.. The religious right’s efforts depend upon the colonial roots that Christian missionaries planted in Africa centuries earlier. The mainstream LGBT movement’s efforts depend upon the neoliberal capitalist roots planted by multinational corporations and NGO missionaries decades earlier.

So we now have zealot African Christian converts leading the intolerance and violence against other Africans, using the language of indigeneity and authenticity but based upon their indoctrination into Western forms of Christianity. And Africans in urban settings who may be invested in Westernization and looking for models of queerness outside of traditional forms because of the ways Western forms of queerness are promoted in Western-controlled popular media. In both cases, you have people of European descent telling African people what is and is not good for them.

One of the main conflicts between Western homosexuality and African cultural values is about procreation. African cultures value children for a number of reasons. And people have responsibilities to the community to produce children. Western homosexuality poses a threat to those responsibilities, particularly for people who do not have access to the wealth and privilege of Western technologies to produce children outside of reproductive sex. Bisexuality, the ability to be sexually open or engaged with people across a number of genders, does not pose those same challenges to the responsibilities that African people have. Historically, bisexuality has been practiced in Africa in a variety of forms. Because Western bisexuals and people of African descent in the West have been traditionally marginalized by mainstream gay activists, the bisexual aspects of African sexualities have either been mislabeled “gay” (i.e., bi-erasure) or have been ignored (i.e., bi-invisibility).”

Why bi-erasure is so entrenched and pervasive?

"I think bi-erasure is so entrenched and pervasive because of the strategy of mainstream Western gay movement activists. Their strategy was to promote a representation of queerness that was not queer in the ways queerness means “different” or “askew.”

Their strategy was an assimiliationist agenda. They chose to pursue an agenda to make heterosexuals believe that queer people were just like them. To do so, they had to make queer people appear just like heterosexuals but, too often, they were willing to settle for making all queer people appear to be just like gay, middle-class men of European descent.

This kind of work meant that mainstream Western gay movement activists had an ideological and strategic motivation to engage in bi-erasure, respectability politics, and whitewashing.

They continue to be informed by that motivation, which is why you see no mention of polyamorous relationships in mainstream marriage equality materials, bisexual people prominently positioned in HIV prevention policy decision-making, or bisexual or trans people in leadership positions at any national organization that is supposed to serve LGBT people — and definitely no bisexual or trans people of color in senior leadership/management positions.”

[Dr. Herukhuti for One+Love.]

devildoll:

teapotsahoy:

historymiss:

#actual old man yelling at sky james barnes

Are there any comics where Bucky, Steve, Wolverine, and Natasha are on a team, and get called “Team Old-As-Balls”? Because that would be good for me.

petition to add Namor to Team Old-As-Balls

devildoll:

teapotsahoy:

historymiss:

#actual old man yelling at sky james barnes

Are there any comics where Bucky, Steve, Wolverine, and Natasha are on a team, and get called “Team Old-As-Balls”? Because that would be good for me.

petition to add Namor to Team Old-As-Balls

That One Time I Saw Chris Evans’ Back Sweat, and also, Neuroscience

drop-deaddream:

So a week or so ago when I was on the east coast, in a moment of extreme weakness, I went to see the Avengers exhibit at Times Square. It was awesome, I somehow charmed a really sweet employee — ahem, operative — into giving me their rad as hell SHIELD beret, I bought Ellen like sixteen souvenirs (okay, two) — but that is not what I’m here about. (Ask me about the Cap t-shirt I got. Please. Oh my god. Ask me.) 

What I’m here about is, unsurprisingly, the Captain America portion of exhibit.

The experience is immersive, all set up so you feel like you’re in SHIELD archives or the like. The Cap section includes the VitaRay (complete with a cameo by the salt stains from, you guessed it, Chris Evans’ back sweat), the rescuing-Bucky leather jacket, some seriously exclusive trading cards I Coulson’d all over, the Avengers uniform, and, endearingly, a section where you can test your strength against Steve’s. There’s also a little portion by the VitaRay that explains the changes Steve’s brain went through after they administered the serum. Being the massive bag of science trash that I am, this is where I spent most of my time.

The info graphic basically told me what we already know: that the serum enhances everything you had going for you before. So Steve’s brain is smarter and faster, the neurons have a longer life span, the hippocampus — that’s your memory storage — is nice and healthy; whatever. But then they said that the part of Steve’s brain that increased the most in mass and synaptogenesis was the amygdala. And I promptly lost all control over my feelings. 

Cut bc this is about to get really gnarly. It’s science time, kiddos.

Read More